Shadows In Ochre
By Captain Jason Moore
They slip in on the rising summer tide, largely unseen and certainly unheralded. But for a (very) few knowing fly anglers, cownose rays bring the heat.
It took a few seasons to crack the code on these rays. Summers along this stretch of coast can feel still and slow. Flounder settle near the cuts, and bluefish might light up the surface occasionally, but the fly game stays subtle most days. Then the rays showed up. Clean water sweeps over sandbars with the tide. Big fish move with intent and are more than willing to eat a fly if it moves just right. It felt more like the tropics than southern New Jersey.
It made sense to go looking.
Wild Bill stood on the bow of the panga, relaxed, rod tip low, line stripped out and at the ready. The tide flooded the flat, rolling up the edges and across the sandbars. Ripples were starting to show, carrying everything the rays came for—small fish, sand crabs, and anything else caught in the tumbling current, or that moved too slowly without burrowing into the sand. From up top, dark shapes slid in and out of the flow, wings just breaking the surface as they fed, pivoting and leaving clouds of fine sand in their wake.
Cownose rays (Rhinoptera bonasus) are a seasonal fixture here, showing up each summer as the water warms along the shallow inlets and bays of the Atlantic seaboard. Averaging 20 pounds and sometimes pushing twice that, they cruise the flats, bays, and beachfront troughs looking for small fish and crustaceans, turning over sand and leaving behind the plumes that give them away.
The skiff is panga-style with a mostly flat bottom, a poling platform, and an honest eight-inch draft. It’s built off the same commercial lines still used across Latin America—clean, simple, efficient. It tracks quietly, floats skinny, and gets into water most boats can’t.
At dead low, the flat is barren. Dull brown sand stretches wide under harsh light, soft underfoot, and still. But as the tide begins to push, the flat changes. Water creeps in. At first, it’s a slow fill through the deeper cuts, then it builds. Fish start moving. Crabs scramble. Everything that feeds, crawls, or drifts starts shifting. And right behind them, the rays.
They don’t show up early. They hold just off the edge where the current stacks, sliding in only when there’s enough depth and enough commotion. They appear just as it all comes together—slow-moving shadows drifting with purpose, wings tipping slightly with each adjustment. They come in low, sometimes so close you’re sure they’re stalking you.
This time of year, sand crabs and small fish are everywhere. Female crabs flash bright orange egg sacs beneath their bellies, and the rays don’t pass them up. They track low, lift slightly, then drop to pin their food. That’s why the take isn’t always seen—it’s felt. A hard pull, sudden and heavy, like someone trying to rip the rod from your hands.
When the tide tops out, the flat exhales. The fish don’t leave, but they vanish under depth and glare. The current spreads, and the surface goes glassy. Contrast disappears. That narrow window is all you get—just enough water to bring the flat to life, but not so much that it hides everything.
And that window doesn’t last long.
The Right Stuff
It’s timing. Knowing when to push and when to post up. When the rays decide to eat, they’re looking for a fly already trying to get away—tumbling in the current, bouncing off the bottom, fighting for the edge.
They aren’t easy. Like any good saltwater prize, cownose rays force decisions. They’ll make you question the cast, second-guess the strip, and lose the angle. Rush it and you’re late. Wait too long and she’s gone. Everything has to line up—the cast, the fly, the retrieve. Miss any one and you’re done.
The flies are simple. Sparse baitfish in light tones with a little flash, tied on stout 2/0 hooks. Sand flea profiles with a sash of orange or green Alphlexo crabs. But it’s not just the fly—it has to move like it’s trying to stay alive. Move like it’s getting thrown out of a bar, a bit frantic but still trying to stay in control.
A 10-weight is standard, paired with a good reel and at least 200 yards of 30-pound backing. Rays run wide, dig deep, and don’t quit just because you want to.
Leaders are basic. No taper unless you’re feeling fancy or are getting ready for a trip to the Yucatan. Twenty or even thirty-pound fluorocarbon stays connected without drawing attention. Go heavier and they’ll see it. Go lighter and you’ll regret it on the first run or when the line scrapes across their back.
Flat on Flat
Bill was ready. His flies were tied for this place and these fish—no bulk, glued wraps, weighted right. They dropped fast, didn’t tumble, and held bottom when needed. Flies that looked like they didn’t want to be seen.
The first school came through, rays packed close, almost touching. A push of shadows fanning across the flat. Bill dropped his cast just ahead of the lead ray. Let it sink—two slow strips. The fish flared, hovered. Then came the take, and the line went tight and the rod bent, and it was on.
The flat erupted. Wings slapped the surface, and the ray surged. Not quick like a bonefish, but deliberate, like she meant to drag us across the inlet. The rod bent deep. The reel screamed. I don’t remember the line going; it was just the backing melting away as she ran.
Rays don’t bolt. They tear into long, heavy runs with wide arcs and no give. It’s like pulling burlap through current—nothing flashy, just constant resistance. The first run was long. The second longer. When it slowed, it didn’t get easier. Rays settle and pull harder, fanning their wings into the pressure like it’s personal.
You need to feel this in your legs. The rod stays low. Steady pressure.
Bill worked the fish slowly. I turned the skiff to hold the angle. The ray surfaced—still heavy, almost calm. We brought her close, popped the hook, and watched her slip back into the current. One last pulse of sand, and she was gone.
Line was stripped out again. Another fly tied on. Another school already sliding in. Same angle, same game.
Catching rays isn’t about numbers. It’s about reading the push. It’s about one fish at a time and, if everything lines up, then another.
